express gazette logo
The Express Gazette
Wednesday, January 14, 2026

Alice in Borderland Season 3 Premiere Recap: I Am Going to Become the Joker

Meteor strike in Shibuya launches a shared near-death dreamscape as Arisu and Usagi navigate a married life and a newly evolving Borderland hierarchy.

Culture & Entertainment 4 months ago
Alice in Borderland Season 3 Premiere Recap: I Am Going to Become the Joker

A meteor strike in Tokyo’s Shibuya district launches the third season of Alice in Borderland with a bang, leaving not only physical damage but a ripple of remembered dreams for survivors. In the immediate aftermath, dozens awaken from cardiac arrest with a shared, lucid glimpse into the Borderland—the brutal, card-themed games that defined Arisu and Usagi’s earlier ordeals. The premiere quickly establishes a broader emotional arc: Arisu and Usagi, formerly defined by their struggle to survive and to understand the game’s rules, are now married. Yet the past remains a fog of half-remembered moments, and their new domestic life is layered atop a mystery that refuses to stay contained in dream logic.

The episode then expands its universe with a cast of returning figures and new players who hint at a more expansive political order within Borderland. Ann, a former police officer who survived the earlier trials and now lives in a sanitarium, tells Arisu that she remembers the path they took and can guide others back using a drug. Professor Ryuji Matsuyama, meanwhile, did not experience the phenomenon firsthand but has built a research project interviewing survivors about their dreams. Borderland representatives invite him to a seminar designed to answer his questions, a move that suggests the new regime intends to incorporate the real world into its increasingly elaborate architecture. The peril remains high: the series introduces a lethal Old Maid game with a grisly electrocution ending, accompanied by a striking makeup effect that signals the level of risk in this world. Ryuji’s victory earns him entry to Borderland alongside Banda, a real-world serial killer who survived the games and chose to stay, and the well-dressed con man Yaba. The two are implied to be central to a new power structure, and the question of whether the Joker—the deck’s lone, final card and a recurring symbol—acts as a calling card or a literal surrogate for leadership hangs over the episode. The premiere thus plants the seeds for a larger, less transparent hierarchy while keeping the audience tethered to the emotional core: what these characters owe to each other, and what they’re willing to sacrifice to uncover the truth about Borderland.

[IMAGE PLACEHOLDER: Please see inline image after this paragraph]

As the narrative advances, the tension shifts to Arisu’s search for Usagi. A suspicious security clip shows her walking away with Matsuyama after his game win, and a phone call that ends abruptly with Usagi saying, “Arisu, I’m sorry” before the line goes quiet. After learning Usagi has been drugged and suffers a second cardiac arrest, Arisu accepts Ann’s earlier offer to inject a heart-stopping drug into his own system to enter the Borderland again. He follows a prescribed path to a shrine, where a carnival midway awaits: new players, games, and the announcement that the competition will commence. The sequence reinforces the show’s fundamental premise—two worlds braided together by memory, fear, and the will to survive—but it does so with a sense of creeping, otherworldly omen as Arisu steps into the new phase of Borderland’s evolution.

Adapted by Shinsuke Sato from Haro Aso’s manga, Alice in Borderland remains a dense, labyrinthine entry in the crowded field of dystopian game shows. The premiere invites comparisons to contemporary hit series like Squid Game, yet its scope is more expansive: a larger cast, more games, and an insistence on a mythology that refuses to neatly reveal its rules. The result is a season that appears to answer some long-standing questions while deliberately withholding others, preserving the series’ signature tension between what the audience can prove and what remains tantalizingly unsolved. The near-death premise—whether Borderland is a dream, a shared consciousness, or something beyond both—receives a firmer narrative framing, even as new gaps in the logic emerge and invite further speculation about how Banda and Yaba fit into this evolving order and what the Joker’s presence will signify going forward.

Critics have highlighted the premiere’s emphasis on mood, atmosphere, and momentum. Arisu’s late-night walk through cobalt-blue, empty Tokyo remains a standout image, signaling a shift from action-driven intensity to a more contemplative unease that can carry the entire season. The episode’s willingness to reveal enough about its new rules to satisfy some curiosity while withholding key explanations reflects the show’s ongoing balance: deliver enough to anchor the viewer, then retreat behind the curtain to preserve mystery. For culture and entertainment audiences, this Season 3 kickoff signals a bold pivot that reaffirms Alice in Borderland as a vivid, unnerving exploration of life, death, and the games we play to survive them.


Sources