Alyssa Milano Removes Breast Implants, Says She’s Releasing False Narratives and Embracing Her Authentic Self

Alyssa Milano says she is removing her breast implants, describing the move as a step toward shedding narratives she says were never hers. The 52-year-old actress posted a photo from a hospital setting on Instagram, tagging her plastic surgeon, Dr. Tim Neavin, and outlining why she’s undergoing the procedure.

"Today I’m releasing those false narratives, the parts of me that were never actually parts of me," Milano wrote in the caption. She continued, "I’m letting go of the body that was sexualized, that was abused, that I believed was necessary for me to be attractive; to be loved; to be successful; to be happy." The post also touched on her hope that the change will influence her daughter Bella, whom she described as 11, and help her resist unhealthy beauty standards. Milano shares daughter Elizabella and son Milo with ex-husband David Bugliari.

The actress asserted that the decision is right for her, while acknowledging that she does not judge others who choose to keep their implants. "What is a false narrative for me may be the exact right thing for them, and I am so happy that we can all find our femininity and peace on our own terms," Milano wrote. She added that she would remain the same person—loved, feminine, attractive, and successful—whether or not the implants are present, emphasizing an authenticity she said she is embracing now.

Milano’s update has been echoed by fans and peers and comes amid a broader public conversation about body image and autonomy. In the comments, drag-show host and reality TV judge Michelle Visage expressed enthusiasm for Milano’s decision, telling her, "I’M THRILLED FOR YOU! The heal is real baby! See you on the lighter side." Visage’s public support followed Milano’s note that she was inspired by others who have spoken openly about implant removal due to health or personal reasons.

The public reaction included well-wishings from fellow actors and musicians who referenced their own experiences with implants or body image. Christine Lakin responded to Milano’s post with encouragement, describing Milano as an inspiration for choosing authenticity. Carnie Wilson, a singer and former member of the pop duo Wilson Phillips, wrote that she had her implants removed in 2013 and offered Milano encouragement, saying, "Welcome to freedom!" Melissa Gilbert, known for Little House on the Prairie, also commented to share support.

The post and its response reflect Milano’s broader artistic and public life, in which she has long been a vocal advocate for women’s rights and bodily autonomy. Her Instagram message included a brief personal update about staying comfortable in bed with her mother’s cooking, a small, intimate note that underscored the grounded, personal nature of the decision. The post did not indicate the exact date of the procedure, but it followed public disclosure of her decision and the accompanying sentiments about self-definition beyond appearance.

Alyssa Milano has previously discussed the complexity of femininity in the press and on social media, often exploring how public figures navigate expectations for beauty, motherhood, and professional success. The decision to remove implants, she wrote, is not an indictment of others’ choices but a declaration of her own path to happiness and authenticity. Dr. Tim Neavin’s role in the procedure has been acknowledged in Milano’s public notes, though no further medical details were provided.

As Milano’s statement circulated, observers noted that this move aligns with a trend among some celebrities who publicly reassess cosmetic procedures and the narratives that surround them. The New York Post, which first reported Milano’s plan and the subsequent Instagram message, highlighted the actress’s emphasis on autonomy and the potential impact on her family’s understanding of beauty standards.

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Milano’s public comments emphasized that the decision was about personal healing and empowerment. In discussing her daughter Bella’s future, Milano said she hoped her actions would support her child in resisting harmful expectations, a sentiment that resonated with many readers who have followed her advocacy for women’s health and autonomy.

The conversation around Milano’s choice also touched on the broader social dialogue about female bodies, autonomy, and aging in the spotlight. Milano’s candid reflection stands in contrast to the often polished, press-drafted narratives that accompany celebrity medical choices, offering instead a direct glimpse into a personal decision shaped by experiences of objectification and abuse that she described in her post.

As the story travels beyond entertainment pages, Milano’s personal decision intersects with ongoing discussions about female agency, health, and the right to redefine beauty on one’s own terms. Her supporters—both fans and peers—continue to weigh in, signaling a broader cultural moment where public figures are increasingly transparent about how they relate to their bodies and the pressures of fame.

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The New York Post, which assembled the timeline and reactions, underscored that Milano’s choice is her own, and that she expressed gratitude for the support she has received. The actress has not indicated plans for future cosmetic work, but the decision to remove implants has already marked a significant personal shift—one that Milano described as a reclaiming of space and self-definition that does not depend on external validation.

In speaking about the change, Milano also reflected on the broader implications for daughter Bella and for families navigating public scrutiny of female bodies. By choosing to share the experience publicly, Milano joined a growing cohort of celebrities who use their platforms to discuss anatomy, health, and self-worth in candid terms.

Overall, Milano’s announcement aligns with a cultural moment that values authenticity and personal healing over conventional standards of attractiveness. The conversation continues as fans and observers watch for any further steps in Milano’s public- facing life, including how she continues to balance her roles in film, television, and social advocacy with a newly clarified sense of self.