express gazette logo
The Express Gazette
Friday, January 16, 2026

Alyssa Milano removes breast implants to reclaim authentic self

Charmed actress says removal frees her from a body she describes as sexualized and abused; aims to model healthy self-image for her daughter

Culture & Entertainment 4 months ago
Alyssa Milano removes breast implants to reclaim authentic self

Alyssa Milano, 52, revealed she had her breast implants removed to disconnect from a body she says was sexualized and abused. She posted a photo from the hospital on Instagram on Wednesday, signaling a shift toward what she described as her authentic self.

In a follow-up message, Milano noted the decision was about releasing narratives she no longer wants to carry. She acknowledged that some women may find freedom and beauty in choosing implants, but stressed that her own sense of femininity and self-worth did not depend on them. The post suggested that the choice is deeply personal and that others can be free to make different decisions.

Milano is a mother to two children — Elizabella “Bella” Bugliari, 11, and Milo, 14 — with husband David Bugliari. She said she hopes her daughter will grow up without the unhealthy demands she once felt about her body.

She added that she should still be loved, feminine, attractive and successful without implants, expressing optimism about living as her authentic self. She posted a brief update after the procedure, saying she was resting and enjoying a meal prepared by her mother, and thanking fans for their support.

The post drew supportive messages from several celebrities, including singer Nicole Scherzinger and TV personalities Michelle Visage and Lisa Ann Walter, who celebrated Milano's decision as a form of liberation. The exchange highlighted how conversations about body autonomy resonate across the entertainment industry and fans alike.

Milano has long discussed being sexualized in Hollywood. In a 2021 interview on The Drew Barrymore Show, she recalled that in the 1990s many roles required her to be fully clothed, noting that it often overshadowed other aspects of her work. She referenced her early career as Samantha Miceli on Who’s the Boss, which aired from 1984 to 1992, to illustrate how industry expectations shaped opportunities. Milano said she did what she had to do to keep working, even as she felt constrained.

Her decision to speak openly about body image and autonomy reflects broader discussions about how women navigate fame, aging, and public perception in Hollywood. The move adds to a growing emphasis on self-definition and personal choice in the public sphere.

Charmed era image


Sources