Angelina Jolie defends free speech as she says she no longer recognizes the United States
The actor-activist made the remarks while promoting Couture at the San Sebastian Film Festival and urged caution in an era she calls 'very heavy' for U.S. politics.

Angelina Jolie has entered the spotlight in a discussion over free speech, saying she does not recognize the United States anymore as she promotes her new film Couture at the San Sebastian Film Festival in Spain. The Oscar-winning actress spoke to reporters on the red carpet and during a press event, framing her remarks as a defense of personal expression in difficult times. “Anything, anywhere that divides or limits personal expressions and freedoms, I think, is very dangerous,” Jolie said, describing the current political climate in the United States as “very, very heavy times.” She added, “I don’t, at this time, recognize my country,” a line that drew immediate attention amid questions about whether the actress means a broader cultural shift or a momentary reaction to political rancor.
Jolie framed her critique within a broader discussion of her own life and worldview. She told journalists that she has always lived internationally and that her family is international, describing her life as “equal [and] united.” She emphasized that her concerns about censorship and the erosion of open discourse are not new, but in the current moment she said she would be cautious in public comments. “Anything, anywhere that divides or limits personal expressions and freedoms, I think, is very dangerous,” Jolie reiterated, signaling that she sees threats to free speech as a global issue rather than a purely American one. “I’ve always lived internationally. My family is international. My life, my world view, is equal [and] united.” The actor added that safety in discussing sensitive topics requires restraint in an era she called “very heavy time,” while pledging to continue standing up for universal rights without “making the conversation about me.”
The remarks quickly sparked a mixed response on social media. A portion of the online audience praised Jolie for defending free expression in a polarized era, with one post suggesting that public figures with international experience bring a needed perspective to U.S. politics. But others challenged her stance, arguing that her comments reflect a disenchantment with the country’s current direction. A sample of posts cited in coverage ranged from supportive to skeptical: “I’m so glad she’s not a part of this country since she lives internationally away from it,” one user wrote, while another countered, “She’s absolutely correct.” A third observer criticized the actress, saying, “Nobody of intelligence cares what she thinks or feels. She’s shown her true self.”
Jolie’s comments arrive amid a long history of political engagement. The actress has frequently used her platform to address international crises and refugee issues. She served as a special envoy for the United Nations High Commissioner for Refugees from 2012 to 2022 and has worked with the agency since 2001. In 2018, she hinted at a broader political role, saying she would “always go where I am needed,” while acknowledging at the time that she was unsure if she was “fit for politics” but joking about potential revelations in her own life. Jolie also stressed that her UN work allows her to operate with governments in ways that can translate into tangible change, noting that she can “sit in a very interesting place of being able to get a lot done, without a title and without it being about myself or my policies.”
Her public record reflects a pattern of advocacy alongside her film work. The actress publicly supported refugee rights and has repeatedly spoken out on gender-based violence and humanitarian concerns. In September 2021, Jolie visited the White House to support the reauthorization of the Violence Against Women Act, and two years later she joined then-President Joe Biden and First Lady Jill Biden for a state dinner honoring the president of South Korea. Her portrayal of political principles, however, has not been without controversy, including past criticism from political allies and family members who have publicly debated her positions.
Jolie’s outspoken stance contrasts with the more traditional boundaries some celebrities maintain about commenting on national politics. Her association with humanitarian causes has long intersected with her film career, shaping how audiences read her statements about freedom, censorship, and civic responsibility. In recent years, she has also used her public profile to draw attention to international crises, often speaking from a place of personal experience in a globally mobile life. This blend of art, activism, and diplomacy has become a central facet of Jolie’s public identity, even as it occasionally fuels heated online debates about loyalty, patriotism, and the role of celebrity voices in national discourse.
The actor’s remarks also cast a spotlight on the broader media treatment of controversial statements by high-profile figures. Jolie’s comments were reported in multiple outlets, prompting discussions about how best to interpret a public figure’s critique of a nation’s political climate while acknowledging the complexities of living as a global citizen in an era of pervasive social media scrutiny. In the days after the Cannes and Venice seasons, Hollywood audiences have repeatedly seen celebrities weigh in on questions of censorship, free expression, and national identity, underscoring how entertainment and politics increasingly converge on red carpets and press conferences alike.
Within Jolie’s extended family, opinions about public stances on politics have been equally divided. Her father, actor Jon Voight, has been a vocal supporter of former President Donald Trump and was photographed celebrating Trump’s election victory on public occasions. In contrast, Jolie has used her platform to condemn policies she sees as contradictory to refugee protections and humanitarian values. Voight’s public comments in turn have drawn their own scrutiny, including statements asserting that Jolie has been influenced by those he characterizes as propagandists and tied to controversial international narratives. The broader dynamic highlights how family associations and public advocacy can intersect in ways that shape, for better or worse, a celebrity’s influence on public debate.
As Couture moves through festival circuit promotion, Jolie’s remarks will likely reverberate beyond film critics and fashion watchers. Whether the statements will affect the reception of Couture or influence ongoing conversations about free speech, censorship, and national belonging remains to be seen. In the meantime, Jolie’s career continues to blend cinematic work with global humanitarian aims, illustrating a trajectory in which art and advocacy are inseparable. In a moment defined by rapid digital discourse and polarized political rhetoric, her decision to foreground universal rights alongside her artistic endeavors reflects a core tension in contemporary celebrity activism: the pressure to speak out, and the responsibility to do so in a way that informs, rather than inflames, public dialogue.