Bridgerton stars reunite at Burberry show as Netflix hints at future of hit series

Hannah Dodd and Jonathan Bailey, the Bridgerton siblings who captured audiences for the Netflix period drama, were photographed reuniting in the front row of Burberry’s London Fashion Week showing in Kensington Gardens on Monday evening. The two actors arrived together and shared a warm moment, signaling a friendly on-screen reunion off screen as Burberry rolled out its latest collection.

Bailey, 37, who plays Lord Anthony Bridgerton, arrived in a coordinated Burberry look that paired a roll-neck with burgundy corduroys, while Dodd, 30, known for portraying Francesca Stirling, wore a fitted leather jacket with a delicate lace mini-dress. The pair posed for photographers before settling into their seats in the designer’s front row alongside fellow attendees.

The show unfolded at a venue framed by the brand’s enduring Nova Check motif, with trench coats, lacquered outerwear and an array of outerwear silhouettes dominating a collection that Burberry described as weather-ready for its spring/summer 2026 lineup. Outfits on the runway included turquoise leather, snake print motifs and a bold green-and-red house check, while outerwear reigned as a practical statement amid a setting that the brand quipped was a quintessentially ‘‘Burberry weather’’ moment.

Creative director Daniel Lee leaned into a wardrobe that he said could suit a classic British festival, channeling the mood of Reading or Glastonbury with a mix of festival-ready pieces and refined pieces. The lineup featured silk bomber jackets, glossy raincoats and oversized wax cotton parkas, alongside more playful notes such as crocheted bralettes, skinny knitted scarves, shrunken T-shirts and mini shift dresses paired with sturdy leather boots designed for mud.

The show’s backdrop at Kensington Gardens underscored Burberry’s long-standing status as a luxury heritage brand, founded by Thomas Burberry in 1856. In recent years the label has pursued a strategy that blends its storied legacy with contemporary cultural moments, a formula that has helped it weather changes in the fashion landscape. Burberry’s leadership cited a renewed focus on British identity and high-profile British faces to front campaigns as a driver of brand value.

Burberry has faced significant business shifts in recent months, after announcing in May the loss of around 1,700 jobs — nearly a fifth of its workforce. Since then, shares have reportedly doubled in value, and the brand’s market capitalization has been placed at roughly £4.5 billion, according to company disclosures and market analyses cited by industry outlets. The revival appears to be anchored in a return to its roots and an emphasis on domestic talent and storytelling that resonates with global audiences.

The show also served as a well-timed end to a week that marked the British Fashion Council’s new leadership era, with Laura Weir taking the helm as chief executive. The lineup of events for London Fashion Week included presentations from designers such as Simone Rocha, Erdem, Roksanda and Richard Quinn, signaling a busy period for the capital as a hub of fashion and culture.

Behind the scenes, Bridgerton itself has been the subject of continued interest as Netflix looks to map out the series’ future. The fourth season is expected to arrive in 2026, and reports have pointed to a major update on Bridgerton’s future. The Sun cited a multi-million-pound investment by Netflix to extend the franchise through seasons five and six, suggesting possible narrative pivots that could shift focus beyond Francesca and her place within Julia Quinn’s timeline. A source quoted by the outlet suggested that the series could explore new angles, including the potential prioritization of Francesca’s story or shifts in the order of Colin and Benedict’s journeys, consistent with the show’s willingness to experiment with timeline placement.

Netflix’s ongoing engagement with Bridgerton comes as the broader ecosystem of streaming platforms continues to reassess long-running properties, balancing production costs with audience demand. While the precise terms of the Netflix plan remain undisclosed publicly, the reported investment underscores the streamer’s confidence in the world-building and character dynamics that have driven the show’s global appeal.

The Burberry show represented a different kind of cultural moment: a celebration of British fashion heritage presented as a contemporary lived experience, with stars from film and television in attendance and a soundtrack of modern-day festival energy. The event’s tone-melding of prestige fashion with a music-inflected aesthetic mirrored the brand’s broader positioning as a cultural touchstone, one that seeks to translate its archival identity into new, accessible storytelling for a worldwide audience.

As the week closed, observers noted that Burberry’s creative direction and marketing approach had produced a narrative that reinforced its status as a British fashion icon while also inviting younger, globally connected audiences into its fold. The Bridgerton reunion on the front row offered a moment of cross-pollination between television prestige and fashion spectacle, a pairing that has become a hallmark of contemporary British cultural storytelling.