Dakota Johnson wears sheer blue Gucci gown braless at Zurich Film Festival, receives Golden Eye Award
Actress accepts career achievement honor at the Zurich Film Festival while donning a daring, see-through gown; she also sparked discussion for past red carpet looks and talk-show wardrobe moments.
Dakota Johnson arrived on the red carpet at the Zurich Film Festival in a striking long-sleeve blue Gucci gown, a high neckline and sheer lace bodice drawing immediate attention. The design, which transitions from a fitted upper to a billowing drop-waist skirt, left little to the imagination as Johnson went braless and, by some accounts, skipped underwear beneath the sheer lace. Her hair was worn down in loose, natural waves and she kept makeup understated, allowing sapphire jewelry—two rings and dangling earrings—to provide subtle accents.
Johnson attended the festival to accept the Golden Eye Award for career achievement, a distinction previously bestowed on figures such as Eddie Redmayne, Helen Hunt, and Kristen Stewart. The Zurich ceremony highlighted the actress’s long-running influence in film and her continuing ability to command attention on the red carpet with bold fashion statements. The event drew fans who applauded her look online, with social media users calling the ensemble “hot” and praising the dress’s design and Johnson’s presence on stage and on the carpet.
The appearance follows a recent foray into similarly revealing fashion in September at the Kering Foundation’s Care for Women Dinner, where Johnson wore a form-fitting sheer black Gucci dress featuring floral lace detailing and visible black underwear. She styled her hair in a classic updo and kept jewelry minimal, pairing the look with a natural makeup palette that featured rosy cheeks and bold lashes. The two outfits demonstrate Johnson’s willingness to push fashion boundaries in high-profile settings while maintaining a carefully curated aesthetic.
The Zurich moment contrasted with Johnson’s earlier televised encounters, including a 2024 appearance on The Tonight Show Starring Jimmy Fallon that nearly devolved into a wardrobe moment of its own. Johnson admitted a plunging neckline and tight fit made the moment tense when she sat, prompting Fallon to reassure her and, at one point, hand her a tissue to manage potential and awkward wardrobe quirks. The evening underscored the performer’s ability to handle public fashion hiccups with humor and poise, a dynamic that has become part of her public narrative.
In another televised moment, Johnson’s appearance on Jimmy Kimmel Live! in 2024 featured a dress that slid toward a malfunction, requiring her to adjust and hold the garment for the duration of the interview. The fashion risks Johnson has embraced across media appearances illustrate a pattern of fearless red-carpet risk-taking that fans often celebrate online, even as commentators note the potential for unpredictable moments.
The Zurich Film Festival appearance is part of a broader arc in which Johnson maintains visibility across film, fashion, and media circles. The Golden Eye Award recognizes a body of work and influence within the cinematic landscape, reinforcing her status as a staple of contemporary pop culture. As Johnson continues to balance high-profile appearances with roles in upcoming projects, observers will likely watch not only for her performances but also for how she codes her public image through fashion choices that blend elegance with audacity.
Additional imagery from the festival and related appearances captured the spectrum of Johnson’s style, including a full-length view of the blue gown and close-ups emphasizing the lace detailing. The fashion moment sits alongside her evolving public persona, one that oscillates between classic Hollywood glamour and modern, risk-taking silhouettes.
As the year progresses, Johnson’s appearances—whether on the red carpet in Zurich, at charity functions, or during late-night talk-show appearances—continue to shape her image as a fearless fashion risk-taker whose work remains central to contemporary culture and entertainment discourse.